This Early Music Monday let's take a minute to think about access. Who gets to come to Early Music concerts? Who gets to learn about music in school (without paying extra)? Who gets to study music? Who gets hired to perform? What composers are being programmed? Which composers had the connections and reputation to have their works published? Who might be missing from those scenarios? Let's all continue asking these questions (and acting on the answers) so the world of the concert hall can reflect the beauty and diversity of the world around us.